![]() You mess around a bit with the vampire mythology though. ( MORE: “Pride & Prejudice & Zombies” Author Writing Burton’s “Dark Shadows”) It’s a very introspective and solitary existence being a vampire because everyone you know eventually dies. What would a 500- or a 1,000-year-old human mind be like? What would that person talk like? What would they have seen? You know, in the new Ridley Scott movie Prometheus, I find the character that Michael Fassbender plays, David, very fascinating because he’s not burdened by things like aging or dying, and when everyone else is in cryo-sleep he has the whole ship to himself and he chooses to watch Lawrence of Arabia and ride bicycles around the hangar bay. You can tell a large story that doesn’t necessarily have to be contained within a single century. I think vampires as characters are fascinating. It sounds like you’re more interested in the vampires than the vampire hunters, like the Buffys and the Blades. ![]() But there’s some aspirational quality to vampires. I think, all things being equal, none of us would choose to be a zombie or a werewolf. What I love about vampires and what makes them unique among horror characters is that they’re the only horror character that human beings generally aspire to be or would choose to be if given the choice. But more than the vampire literature specifically, I’m a fan of vampire movies. I’ve always, I think, like many people, just been attracted to the character, you know. When I was younger I loved some of the earlier Anne Rice books- Interview with a Vampire, The Vampire Lestat. I haven’t read the books, but if you can get that many millions of young people to read books, then I have no problem with you, regardless of what you write. There’s no Stephenie Meyer beef or anything. I think people try to make something of-like ‘well, you know, I did this book as a reaction to Twilight.’ That’s not accurate. You know, it’s not meant for-I’m a 36-year-old father and not really the target audience for Twilight. I’ve read that you said that the inspiration for the book came from seeing Twilight near Lincoln biographies. (READ: Richard Corliss’s review of Abraham Lincoln: Vampire Hunter) And once I wrote an early draft of Lincoln, Tim was impressed and asked me to work on Dark Shadows. That mostly constituted sitting with Timur and sort of listening to Timur’s crazy take on the idea and transcribing as fast as I could and trying to keep up with his imagination. As soon as I turned in the manuscript, we got to work on adapting the book immediately. And they approached me together about turning Lincoln into a movie before I was even finished with the manuscript. He and had produced a movie called 9 together, an animated movie, so they were already producing partners. The way that I understand it Tim had heard of Pride and Prejudice and Zombies and was interested in whether I had any other projects or ideas. Your working relationship with Tim Burton-did it start with Abraham Lincoln? Is that how you ended up doing the screenplay for Dark Shadows? So on one hand, it’s kind of astounding to me that a book with such a ridiculous premise got made into a big movie to begin with, and then got made into the kind of sort of insane, over-the-top movie that it is. It shouldn’t really be a big-studio summer movie. I mean it makes me laugh in a way, seeing how here’s a movie that, by all accounts, shouldn’t really exist. So that, coupled with the fact that I had to get my own author ego and the sense of ownership out of the way, made it pretty challenging.Īnd now that you’ve seen it onscreen, what was that like? I don’t really conceptualize the right big-action set pieces very well. It’s a high-octane summer action movie, and that didn’t come easily to me. The book is much more sort of about the minutiae of real history and how that interweaves with the vampire story, whereas the film is really just an all-out, over-the-top genre expression of an idea. Seth Grahame-Smith: It was a challenge because the book and the movie are so vastly different. TIME: What was it like to adapt your own book for the screen? Grahame-Smith spoke to TIME about learning to write a movie, adapting his own work and straying from the accepted vampire mythologies. On June 22, the film adaptation of his vampire book-now called Abraham Lincoln: Vampire Hunter, with a colon-opens in theaters. Follow Grahame-Smith is perhaps best known for his mashup novels, Pride and Prejudice and Zombies and Abraham Lincoln, Vampire Hunter.
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On each side of this group appears Enkidu and a hunter-hero, with a long beard and a Kish-style headdress, armed with a dagger. The seal shows Gilgamesh and the mythical bull between two lions, one of the lions biting him in the shoulder. Seal impression of " Mesannepada, king of Kish", excavated in the Royal Cemetery at Ur (U. It is sometimes suggested that the Sumerian form of the name was pronounced Pabilgames, reading the component bilga as pabilga ( □□□), a related term which described familial relations, however, this is not supported by epigraphic or phonological evidence. It is generally concluded that the name itself translates as "the (kinsman) is a hero", the relation of the "kinsman" varying between the source giving the translation. The Assyrian form of the name derived from the earlier Sumerian form □□□□, Bilgames. The modern form "Gilgamesh" is a direct borrowing of the Akkadian □□□, rendered as Gilgameš. Gilgamesh remained mostly obscure until the mid-20th century, but, since the late 20th century, he has become an increasingly prominent figure in modern culture. After being translated in the early 1870s, it caused widespread controversy due to similarities between portions of it and the Hebrew Bible. The Epic of Gilgamesh was rediscovered in the Library of Ashurbanipal in 1849. She became pregnant and the guards threw the child off a tower, but an eagle rescued him mid-fall and delivered him safely to an orchard, where the gardener raised him. Aelian relates that Gilgamesh's grandfather kept his mother under guard to prevent her from becoming pregnant, because an oracle had told him that his grandson would overthrow him. The story of Gilgamesh's birth is described in an anecdote in On the Nature of Animals by the Greek writer Aelian (2nd century AD). Most scholars agree that the Epic of Gilgamesh exerted substantial influence on the Iliad and the Odyssey, two epic poems written in ancient Greek during the 8th century BC. Gilgamesh repeatedly fails the trials set before him and returns home to Uruk, realizing that immortality is beyond his reach. After Enkidu dies of a disease sent as punishment from the gods, Gilgamesh becomes afraid of his death and visits the sage Utnapishtim, the survivor of the Great Flood, hoping to find immortality. Together, they embark on many journeys, most famously defeating Humbaba (Sumerian: Huwawa) and the Bull of Heaven, who is sent to attack them by Ishtar (Sumerian: Inanna) after Gilgamesh rejects her offer for him to become her consort. In the epic, Gilgamesh is a demigod of superhuman strength who befriends the wild man Enkidu. 1155 BC), based on much older source material. The standard Akkadian Epic of Gilgamesh was composed by a scribe named Sîn-lēqi-unninni, probably during the Middle Babylonian Period ( c. In later Babylonian times, these stories were woven into a connected narrative. Other Sumerian poems relate Gilgamesh's defeat of the giant Huwawa and the Bull of Heaven, while a fifth, poorly preserved poem relates the account of his death and funeral. The poem Gilgamesh and Aga describes Gilgamesh's revolt against his overlord Aga of Kish. After Enkidu's death, his shade tells Gilgamesh about the bleak conditions in the Underworld. She gives him two unknown objects, a mikku and a pikku, which he loses. The earliest of these is likely "Gilgamesh, Enkidu, and the Netherworld", in which Gilgamesh comes to the aid of the goddess Inanna and drives away the creatures infesting her huluppu tree. Tales of Gilgamesh's legendary exploits are narrated in five surviving Sumerian poems. 2900 – 2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur ( c. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period (Mesopotamia) (henceforth ED), c. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. Gilgamesh ( Akkadian: □□□□, romanized: Gilgameš originally Sumerian: □□□□□, romanized: Bilgames) was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC. Without proper rendering support, you may see question marks, boxes, or other symbols instead of cuneiform script. |